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This City - Hear

HEAR is the enema your iTunes needs. Bringing you the most thought-provoking and up-to-date music reviews this side of Lester Bangs, HEAR sifts through the ever growing mountain of press releases and promos to only feature albums, EPs, LPs and mixes that we want to, not that we have to. Also, we try and make things make sense in 200 words or less so that you can just listen to the music.

Pivot interview

Pivot interview

I was sitting on my front porch on an overcast Saturday morning when I heard Pivot's O Soundtrack My Heart for the first time. Something about the grey sky, combined with Pivot's clashy prog guitars, gurgling synths and techno-like builds, made for a pristine sonic experience. I hope for similar satisfaction, care of Pivot and the sky, at Becks Box next week.

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Gil Scott-Heron, 'I'm New Here'

Gil Scott-Heron, 'I'm New Here'

Thirteen years is a long time to go without releasing an album. Thirteen years ago I had just discovered the joy of self-love. I had just stopped being afraid of the dark. I had just learned how to take those massive bong hits like Ghostface Killah. Back then, flute solos were a serious and beautiful component of a song.

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Real Estate

Real Estate

You want sunny. You want relaxed. You want proof that someone, anywhere, is struggling through the summer just like you are. You also want a killer pop record. Doesn't matter where it's from - this sound is universal. You want Real Estate.

As it stands, these kids hail from New Jersey. A small detail normally, sure, but this fact oozes through every pore of their sun-drenched sound.

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'Exquisite Corpse', Warpaint

'Exquisite Corpse', Warpaint

Now it's only an EP, so let's not shit ourselves just yet, but Warpaint are pretty f*cking awesome. Coming from the star-studded and smog-misted hills of Los Angeles, this trio of babes is making music that walks that fine line we never knew existed between Beach House's dreaminess and Lindstrøm's beatiness.

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Lightning Bolt interview

Lightning Bolt interview

Lightning Bolt are a juggernaut. They are two men. Brian Chippendale and Brian Gibson. They play and they play and they play faster and they play faster and they play more and faster and more faster. Limbs, masks, and the floor, and the people crushing in, and Halloween. It's like it's Halloween. And then there's the noise, which is the music, and it hits you and you keep going and they keep going.

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